“Kyoto” is the third track from American singer and songwriter Phoebe Bridgers and her second studio album “Punisher”, which was released in 2020. From speaking about old shows, through to how amazing it will be to hear the horns on "Kyoto" live for the first time, the real shame is that she won’t get the full Grammy experience she deserves: “It feels weird y’know, I feel both grateful and ripped off where I’m like, are you serious? It can just kind of make me feel like a spoiled brat where I’m psychologically damaged from this year, but also super grateful.”, Terms of Service / Privacy Policy / All Rights Reserved. “I was like… oh my god.” ​, Bridgers also lays bare her own superstition that, “songs make themselves true, kind of, in a way.” It’s a concept she has hinted at in the past, explaining to The New Yorker earlier this year: “Sometimes I’ll write a song, and I’ll be, like, 'Oh, I don’t actually feel this way, but it’s a good line',” only to reveal, “in retrospect, that’s exactly how I felt.”, "Kyoto" acts in this way - only in slight reverse. “I always feel like I’m being super obvious, so when people misconstrue things that I say I actually kind of relax, and think maybe I’m a little safer that I thought.”, Over the course of our conversation we touch on what this year could have meant for Bridgers if the pandemic hadn’t hit. “I feel totally cursed,” she says of Punisher's descriptions of days at home - given 2020’s pause on performing - likening her writing to “a bad genie wish.”, The bulk of "Kyoto's" lyrics actually relate to Bridgers’ father, describing their relationship from childhood, and riffing off recent feelings since her parents’ divorce. BONUS EPISODE: In this special episode of THE STORY SONG PODCAST, your hosts explore and review the lyrics to one of Dan’s Top 20 songs of 2020, "Kyoto" by Phoebe Bridgers. Smiling through squinted eyes and blocking the sun’s glare with an upraised hand, Phoebe Bridgers stares back at the camera completely, voluntarily, exposed. On ‘Kyoto,’ Phoebe Bridgers Ups The Tempo. The bulk of "Kyoto's" lyrics actually relate to Bridgers’ father, describing their relationship from childhood, and riffing off recent feelings since her parents’ divorce. "It's just exhausting to be an American and focusing on an awards ceremony," Bridgers adds, "but it’s also fun having something to spend my time thinking about. One of Canada's most popular and eclectic performers, Hawksley tells stories about his oldest songs, his plentiful side projects, and the ways that he keeps his songwriting fresh. Bridgers' father phoned her on 10 October this year to check that her brother Jackson received a package for his birthday. “Are my instincts better? In an April 2020 press release, Bridgers describes “Kyoto” in her own words: This song is about impostor syndrome. at the end of the song's first chorus - a second-long moment adored by fans (a comment on the track’s video just reads I LOVE THE WOO!). Been listening to it nearly nonstop since it dropped. A trick to stir up something - anything - from the world around her, this is how the very beginning of “Kyoto” came to be: where in a stream of consciousness, she stumbled across the song’s melody. Gruska, originally brought into record piano for Stranger in the Alps (“I can’t play piano really at all, I mean I can a little bit, but I wanted crazy piano") ended sticking around at the studio each day, adding many of the tiny details across Bridgers' songs, including the high pitched pocket piano on "Kyoto". 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